Tamanna Khan

Kamrunnahar Bilkis Kona has been working as a paralegal with BLAST since 2008.

The government has to have an updated understanding of the realities of the supply chain

The last thing we want is for the process of justice to be derailed

A joyous feeling overshadowed by waves of destruction, then revived by the hope of a new tomorrow.

As a grandchild of a freedom fighter, I would have felt ashamed to use the quota after so many lost their lives over this issue.

Researcher Maheen Sultan shares her insights on the backlash against 'Sharifa's Tale' and promoting comprehensive sexuality education (CSE) in Bangladesh.

M Humayun Kabir talks about the implications of the ongoing conflict in Myanmar’s Rakhine state

Dr Syed Abdul Hamid, professor of IHE and moderator of the dialogue, talked to Tamanna Khan of The Daily Star about the pros and cons of using generic drug names.

When we report about natural disasters, these individual people and their stories often become statistics.

From passion project to international acclaim, filmmaker Asif Islam’s debut film “Nirvana” won the Special Jury award at the 46th Moscow International Film Festival. “Nirvana’s” journey doesn’t end with Moscow as the director has received offers to screen the film at festivals in Morocco, Spain, London, and India.

Bangladesh has succeeded in eradicating several diseases in the past. Why not dengue?

Accountability remains an illusion when it comes to patients’ death from hospital mismanagement and medical negligence.

An amusing incident unfolded on March 30 at Farhana Rajib’s home in Minneapolis, US. Her mother-in-law Shawkat Ara Begum received a note from her 12-year-old granddaughter Ella Rajib. Handwritten in Bangla, the note read: “Dida darun boka” (Grandma is very silly).

Travelling was my hobby before I emigrated to Canada. During my trips both within and outside Bangladesh, I always tried to taste local and regional food to appreciate the culture of the place I visited.

Mid-twentieth century Pabna: Upon her aunt's insistence, a frightened little girl hesitantly stands in front of the one-eyed box covered in black cloth. The object looks like a square-headed monster on a tripod. Who would have imagined then that the little girl would one day capture the world with this very object? “I never thought that this camera will one day become my life partner,” chuckles Sayeeda Khanam, Bangladesh's first woman photojournalist.

On March 25, The New York Times ran a story about Americans stepping up to face the coronavirus pandemic by sewing masks for their healthcare providers as well as the general public.

Still bearing the trauma of her last dialysis, Marjia Rabbani Shoshi was speaking with a smile until the subject of the Organ Transplantation Act 1999 (amended in 2018) came up.

Women have always been a common subject in visual art, but not so much in the role of an artist. For centuries, their thoughts and expressions remained hidden from public view and crushed under the weight of patriarchy.

“…Then after dark, a tentative ‘Joy Bangla’ in the back streets. Older men came out and persuaded the lads back into their homes; ‘there is still a curfew’. Then a more determined ‘Joy Bangla’. The Mukti Bahini had taken over the streets.

Fahmida, who has been undergoing dialysis for the last two years, now desperately needs a second kidney transplant. Her mother Fatema Zohra had donated her a kidney in 2015, but it got damaged within a year.