Amala Shankar, the ever graceful, legendary Indian danseuse, wife of dance maestro Uday Shankar, mother of Mamata and Ananda Shankar, steps onto her 100th year in this world June 27.

As one enters into the National Art Gallery of Bangladesh Shilpakala Academy (BSA), one encounters a magnificent ray of light illuminating many of the finest pieces of sculptures.

"Far from representing reality, pictures probe multiple realities by fabricating narratives of events that never occurred." This quote by Mark C Taylor from his book on the American painter Mark Tansey sounds like a fitting homage to the works of Kazi Mrinal. Mrinal's images are like visioned unreality. They are structured by the communion-seeking mind rather than originating from contemplation or critical reflection on real events.

As alien as it may seem to us today, baby boomers are no strangers to the fad of matchbox collecting. Millennials will remember the pleasure of removing stamps from an envelope, soaking them in water and once dry, sticking them on albums. Coins and banknotes have always been popular and even today an average Joe carefully preserves a ragged note long out of circulation.

Satyajit Ray started as a graphic illustrator before his emergence as a Bengali film icon. He designed book covers, film posters and illustrated children's books among other things and even created two award winning Bangla fonts. What is profound in his work is the sophisticated experimentation with various artistic styles and traditions, both local and foreign, without compromising an aesthetic of authenticity. His forays into graphic design and calligraphy continued throughout his career and often webbed strongly into his filmmaking. Satyajit Ray was indeed a master of visual art in its broadest terms.

Growing up, Sharmin Rahman, Associate Vice President – Creative at Asiatic JWT, always had a passion for fashion designing. From an early age she embarked on a journey to create beautiful clothing by working with a local boutique for 11 years. This journey was the beginning of the path to self-discovery for great passion in fashion design and intense amount of talent in excelling in it.

Architect Tanzim Hasan Salim rose to mainstream prominence when he jointly won the design competition for the new Liberation War Museum. But what is lesser known to the public is the demanding creative and emotional labour that he put into executing such a monumental project. His solo exhibition at Kala Kendra entitled “Drawing and Thinking, Thinking and Drawing-2” displays to the public the phases of

Dhali Al Mamoon turned time into a portal to gaze back or gauge a blind side of history of the subcontinent—the colonial legacy—which is laden with grief and shame at the loss of the capacity for articulation that Dhali feels has resulted in forfeiting an authentic artistic language in favour of one that alienates a person from one's self.

As a reconnaissance of what seems like a neural landscape, Soma Surovi Jannat's oeuvre seems to hover over the "plain of immanence" perceived as Spinoza's "single substance" (God/Nature), thereby, lending

Igniting the blazing trail towards promoting gender equality, a photo exhibition, Beyond the Sewing Machine, was arranged by the International Labour Organization (ILO) on Wednesday, 7th March, 2018.

Numerous prominent retail outlets and online stores gathered together for an eventful exhibition known as Fashion Volume on February 17, 2018, at Gardenia Hall, Gulshan 2.

Winter is the month of celebration in this country of scorching summers. And the Dhaka urbanites do get spoilt for choice when

Jewellery has been the must have accessory in every fashion forward individual's wardrobe. These are not just limited to precious

Faiham Ebne Sharif's first solo exhibition, Cha Chakra: Tea Tales of Bangladesh, curated by Amirul Rajiv and Naim Ul Hasan, was held

In the last 14 years, Galleri Kaya, one of the leading art galleries in Bangladesh, has arranged almost a hundred shows. As organisers of various art trips, camps and workshops they are also active in promotion of Bangladeshi art.

Art and text by Abir Shome AKA-R Mutt, 2016

One of the pioneers of modern art in undivided Bengal, "Shilpacharya" Zainul Abedin (1914-1976) represents the mid-century "realist" trajectory that began to unfold in many modes and sequences—first in Calcutta...

When I heard that there was an exhibition on the Bede community at Shilpakola, and that a foreigner had taken the photographs, my curiosity was piqued—I was interested, but also worried.

“After the landslide, it became all too clear where the aid was headed. Of course there would be an inclination to send relief to the Bengalis,” says Mrittika Kamal, Director of Terracotta Creatives and one of the curators of Phoenix of Longadu, a charity exhibition, held between October 16 and 19 at Drik Gallery, dedicated to raising funds for the affected families.

7th Oriental Painting Exhibition under spotlight