Bongorongo’s mordant new comedy “Mrityuhin Pran” opens at BSA

Bongorongo Theatre returned to the stage last week with "Mrityuhin Pran" ("Deathless Soul"), a sharp-edged one-act play that blends satire with stark social commentary. Staged at the Experimental Theatre Hall of Bangladesh Shilpakala Academy, the production dives into the struggles of working people, state oppression, and the eternal clash between rulers and the ruled.

Adapted from Utpal Dutt's political play "Mrityur Atit," the new version is directed by Mithun Mostofa, who also takes on a central role. His vision renders the script both intimate and biting — a production that shifts effortlessly between cutting satire and heartfelt emotion. Technical direction by Asif Munier keeps the staging lean and dynamic, ensuring the words and performances remain front and centre.

The play's emotional core rests heavily on the young cast, and they deliver. Newcomer Prathan Mostofa's performance in the lead role drew particular praise from audiences for its conviction and strength. Alongside him, a vibrant mix of performers — Shantanu, Masum, Sarwar, Bipnu, Shomit, Labanya, Tutul, Alamin, and Ayesha — brought raw energy and authenticity, breathing life into characters that feel drawn straight from the streets and marketplaces of everyday Bangladesh.

Mithun Mostofa described the play as an attempt to give voice to "the pain and protests of the oppressed" through both dialogue and performance. Judging by the audience's warm reception, his goal seems to have resonated.

The production itself is stripped down, yet deliberate. There are no elaborate sets or distractions, only a deliberate rhythm of dialogue, gesture, and ensemble work that allows the satire to sharpen its sting. At times darkly comic, at times deeply emotional, "Mrityuhin Pran" keeps the audience alert, inviting them to reflect on power, injustice, and resilience, informed the theatre troupe.

Bongorongo Theatre believes that continued regular performances will only refine both acting and technical quality. For now, audiences have a chance to catch the play again on Friday, September 26, when it returns to the Shilpakala Academy stage.