Aharkondal: Janmasutra's first production

By Ershad Kamol
20 September 2005, 18:00 PM
Actors in the play
At midnight three assassins wait for their prey at a char. In return they will get jobs and money from the mastermind. However, the victim does not show up and the youth go through a gamut of experiences and emotions--hopeless waiting, weariness, childish farce, emptiness, absurd dreams and hope. Their struggle with the irrationality of experience, in that moment, can be described as 'metaphysical anguish'.

Badruzzaman Alamgir's 'Theatre of Absurd' Aharkondal (devastating force) touches the heart and soul of the audience by freeing them from unconscious repression and obliging them to view themselves as they really are: As naturalism says, neither God nor any of his creations is as cruel, selfish and hypocritical as human beings.

Alamgir in the play has also his interpretation of regional myth of 'Basudev and Genesis'. Another remarkable aspect of Aharkondal is the maintaining of unity of time, unity of action and unity of place.

Newly formed theatre troupe Janmasutra staged the premiere show of its first production at Natmondal, Dhaka University recently. Director Kamaluddin Kabir has followed the narrative technique to unfold the story of Aharkondal. He has also used several rural games for the play's choreography. However most of the time, his compositions have failed to create the right ambience on the stage.

Three promising artistes, Ratan Dev, Dilip Chakrobarti and Anawarul Haque's attempt to visualise the narration through choreography was not effective. Greater enthusiasm in the artistes' performance could have transformed the play into a classic.

Kamaluddin Kabir as the set designer has created an ambience of a char on the stage with coiled rope and stools. Better design is expected from renowned light designer Nasirul Haque Khokon.