Bodhu Biday
State-Minister for Cultural Affairs, Begum Selima Rahman, inaugurated the launching ceremony after which she thanked Ruposhi for making an attempt to preserve the classical art of our culture and preventing it from getting lost within the complexities of the modern and developing, chaotic world. Azad Rahman, who was the chief guest of the occasion, openly showed his immense pride upon bringing out this album. 'Just as we are proud of our country, its people, its flag, its culture, its own identity, we must also be proud of Ruposhi coming out with a small, yet a significant element of our ethnic individuality.' He remarked.
A very nervous Ruposhi took the platform, and informed the audience further about her album. The three instrumental tracks are based on Ragas Joog, Bhairavi and Bodhu Biday. The last track happens to be the theme of this album. 'Actually, my aunt, an eminent artiste of our country Rowshan Jamil, had illustrated her ideas and imaginations regarding this theme.' Ruposhi said. 'She passed away some time back. I worked on this theme even then, and have dedicated this album to her.' The other personalities who have worked on this album are Arzu Perves (tabla), Kartik (guitar), Jalal (flute), Raton (dotara) and Sharif Ahmed (sound engineer).
For all latest news, follow The Daily Star's Google News channel. 'Bodhu Biday' is an album which will give the listener a musical experience of the many natural elements of our culture. Ruposhi's first track, which is about 41 minutes long and based on Raga Joog, will initially remind one of the tranquillity of the Bangladeshi brooks and rivers. As her violin goes on to touch each and every speck of the river, in comes Arzu's tabla, further defining the rush of the waterfalls, flowing down the mountain, enriching the landscape all together.
The second track based on Raga Bhairavi begins with an enchanting dialogue between Ruposhi's delicate violin strings and Kartik's soft yet rebellious guitar harmonies. As one comprehends the need of the other, the listener will feel the unity between the different instruments, yet so similar in so many ways.
The third and the last track based on Raga Bodhu Biday has been composed by Ruposhi herself, based on the ideas of her aunt. This track portrays the inner, deep and silent emotions of the new bride, who, despite the fun, celebrations and rituals, sheds tears upon the mere fact that she would have to begin a new life in a strange land, away from her home, family, friends and her childhood. Jalal's captivating work on the flute in this track, symbolises the silent plea of the bride who is still trying to come to terms with this age long ritual, even when, at one point, her palki (palanquin) starts to sway and move away.