Calligraphy: The beauty of letters

The history of Islamic calligraphy dates back to the birth of the Holy Quran. Starting from the Kufi style, calligraphies were eventually rendered in other styles such as Nasq, Sols, Raihan, Roka, Nastaliq, Shequasta and Ma'aqtali -- examples of which are on display at the exhibition.

For the first time in Bangladesh, some of the calligraphers -- Muhammad Ali Farasati, Taher Nabi Jade and Hussain Sdeki Nougani -- have been invited. A charged atmosphere is felt within the gallery as these artists are seen creating small calligraphy pieces within minutes, which they give away to the awe-struck spectators.

Idyllic compositions with birds and flowers are some of the most eye-catching pieces that display a calm and serene longing for love and togetherness. The delicately rendered brushstrokes and the sweet colours almost invoke vivid images in the viewers' mind.

Interestingly, human figures and portraits adorn numerous art works -- subjects that are absent in traditional Islamic art. Ayatollah Khomeni first lifted the ban from these subjects. From one of the walls, Khomeni authoritatively casts a warm glance over the visitors from within a framed photograph. Remembering him on this occasion is imperative as he played a vital role in a movement that proved fruitful for the patronage and growth of Islamic calligraphy artists in Iran.

A pleasant aura hangs in the air as the exhibits are interspersed regularly with flowers; and recitals from the Holy Quran coming from a computer that also displays relevant Suras(verses). Interested visitors can learn a lot about Islamic calligraphy history, styles and artists from the folders.

Last but not the least, this exhibition enthralls the visitors with the rare glimpse of a hand-written Quran, rendered beautifully with a henna tint and a bamboo pen by a Bangladeshi artist Ferdous Ara.

The exhibition ends today.