Fixing images in a frame

By Fayza Haq
22 October 2005, 18:00 PM
Marc Danieu is a visiting artist who had his work exhibited at the Alliance Francaise recently. It is the love of both books and paintings that made Marc an illustrator. He studied in Paris at Academy Charpontier. His fascination for illustrations grew from the study of comic books; and when 18 years ago, an editor asked him to illustrate a detective novel in black and white he readily went for it. He uses tempera, a form of watercolour, that offers a wide range of pigments. Applying the vivid colours on the paper gives him a great sense of satisfaction. "It takes me two days to do each illustration. I began my career with black and white but now I use colours. When I do items like book covers I use the computer too to scan elements," says Marc. Based in Paris, he works from home.

"I had four workshops here in Dhaka with adults and children. In them the students cut images in paper for the illustrations. This was quicker than painting on the colours. Illustration is not like ordinary painting. You have to fix certain images in a frame in a particular way in order to tell a story. There was a young Bangladeshi artist, Arup, who understood French, and he helped conduct the classes. I had the opportunity to meet some Bangladeshi painters and I found their work very interesting and impressive."

One of his book covers, of Mawati--child of the desert shows a lion, a goat, and a starving woman. This depicts the story of an African boy who was chased out of his village during a drought. He went through the desert with three goats, and finally found a place to settle in peace. Tales of Europe relates the story of the Middle Ages when a musician was sent to jail. He cast a spell on the people with the music of his lute and so won his freedom. Another illustration is that of a Yugoslavian story, which is about a village where the people were constantly quarrelling.

Marc's other creative work was entirely allegoric. There was the image of a headless man with a bird on his shoulders. The perched bird was singing gleefully and this painting was meant to be a self- portrait. Another work brought a soldier in an armour from the past. He had no hands and with him was a snail that has no horns. The snail stood for the poor while the soldier symbolised the rich: both were helpless. There was then Mickey Mouse with a camera, and he represented people who thought that life was like stories presented on TV and films.

The French Association for Artistic Initiatives organised this exhibition along with the works of 12 other French artists. This presented the works of illustrators whose works were recently published in France. They came from different backgrounds like the School of Fine Arts, Decorative Arts and some are self-taught. They work in France and for foreign markets.