Pata-chitra: Pride of Bengal

By Karim Waheed
8 April 2006, 18:00 PM
Artworks on display at the exhibition
Among the indigenous Bangalee art forms,pata-chitraor scroll paintings stand apart in their choice of subjects, vibrant colours, unique lines and style of presentation. Painters of this form are calledpatua.

An exhibition of traditional pata-chitra by three patuas, Dukhushyam (Osman) Chitrakar, Rabbani Chitrakar and Rahim Chitrakar, is being held at DOTS Contemporary Arts Centre on Tejgaon-Gulshan Link Road.

The exhibition was inaugurated by noted theatre personality Nasiruddin Youssuf on April 6. Among others, actor Shimul Youssuf, artists Nisar Hossain and Tarun Ghosh attended the event.

According to artist Nisar Hossain, "The term Pata is derived from the Sanskrit word Patto, meaning cloth. In ancient times, before paper was introduced, artistes used to paint on thick cotton fabric. Usually mythical or religious stories were the themes. However, in time contemporary issues, animals and more found their place on these painting.

"Pata-chitra is perhaps the oldest art form in the Indian subcontinent and the tradition continues to this date. In fact, the art form can be traced all the way back to sixth BCE."

Besides being visual delights, the scroll paintings are also used in pat gaan or patua gaan. Through the medium of scroll painting, a choir narrates a story.

Most of the paintings in the exhibition illustrate myths, episodes from the Purana, Ramayana; some feature animals and imaginary monsters. The paintings have several sections so as to maintain a sequence. In the first segment the main characters, usually Gods and Goddesses, are portrayed boldly.

A painting featuring Raashleela of Radha-Krishna is stunning. Snake-like creatures with three heads on another one are interesting. Another painting shows three gruesome rakhkhoshi (females monsters) in their "full glory" -- teeth shaped like carrots sticking out, talons sharper than an eagle's -- staring back at the viewer as if to warn them to keep a safe distance.

Goddess Durga is the subject of several scrolls. One of the paintings show the Goddess smiting the beast Mahishashur. Vibrant colours -- yellow, indigo, bottle green, khaki, crimson and dark brown -- create a dazzling effect. Four Gods and Goddessess -- Ganesh, Karthik, Lakshmi and Saraswati -- ornate the corners of the painting.

The story of Goddess Kali stamping on God Shiva is the subject on a scroll. The Goddess is bare, as she is portrayed traditionally and painted in deep purple. In episodes from the Ramayana, Rama and Sita are seen getting married in the first segment. Other scenes featured are Lakshman cutting the nose of the monster, Suparnekha and Sita abducted and imprisoned by Ravana.

An interesting scroll shows fish carrying other fish in paalkis. The illustration stands out for its odd theme.

The exhibition highlighting the authentic Bangalee art form is commendable, as nowadays pata-chitra does not have a wide audience as in the past. The display can be informative to youngsters, who should know more about our heritage.

The exhibition is open till April 21.