Wooden throne exhibit highlights heritage of Bengal

Intricate woodwork by craftsmen

The exhibition reflected the creativity and quality of Shankar's works. He experimented with different shapes and created unique pieces of decorative household items as well. The patterns and finishing of the items were noteworthy. The striking point of the exhibition was the multi-dimensional presentation; Shankar assembled both functional and decorative pieces.

Throne making has a long history in Bangladesh. Thrones have been used for centuries as the seat of gods and goddesses. After 1947, this craft did not receive much public attention and acceptance until the creation of Bangladesh in 1971. Post-Partition, the craft faced a setback as the demand for the product slumped owing to the exodus of a large number of Hindus from Dhaka. There were hardly any professional craftsmen in the country post 1971.

However, a group of dedicated craftsmen was willing to dare, and take up the challenge of reviving the craft. As Shankar said, "Despite the enormous odds, we are optimistic about our success." Shankar has won appreciation for his ability to synthesise imagination and pictorial interpretation suited to the environment.

Though thrones were used by Hindus to house statues of gods and goddesses, Shankar Dhar wants to break the tradition and give them a universal appeal. According to him, "Artworks cannot be confined to a particular religion. Thrones can become popular decorative items for their intricate woodwork. Blending the old with the new, today this rich heritage has provided us with the inspiration to revive the art. If assistance and patronage are provided, this art form can fetch appreciation from home and abroad."

The displayed items were a wonderful visual experience. The fabrication of thrones was admirable. The exhibition will spark pride in the country's craftsmanship.