The essence of the events Bangladesh witnessed during the student-led mass uprising in July and August, which escalated into a bloodied revolution, ultimately toppling the regime of former Prime Minister Sheikh Hasina and giving rise to what we now call a new Bangladesh, is truly inexplicable.

Neatly curated by veteran ASM Rezaur Rahman, even without a single line of caption on the gallery walls, one could effortlessly relate to the silent yet atmospheric reverberation of the photographs. These images adorning the gallery's walls capture snippets of life in Bangladesh, from recaps of resilience to the messes we've created, depicting lives that go on but also leave questions.

In the wake of two triumphant editions, the third edition of the exhibition of the principal local event celebrating the practice of photojournalism in the country, the “Bangladesh Press Photo Contest 2024”, lifted its curtains yesterday. While the exhibition is taking place on the second floor, the inaugural event took place in the house-full eighth-floor gallery of the capital's DrikPath Bhobon.

Commencing yesterday at 5 pm, cartoonists and young artists from Dhaka gathered at Drik Gallery with cartoons and installation art, protesting the Israeli occupation and expressing solidarity with the Palestinian people.

“Introspect” invites art enthusiasts and the curious to explore the intricate connections between nature, the human experience, and the emotions that shape our lives.