Chief Adviser Professor Muhammad Yunus today visited the Dhaka University campus to see the graffiti drawn by young revolutionaries during the student-led mass uprising in July and August

The walls of Dhaka city represent the volume and chaos of thousands of people jostling for ever-shrinking space.

Would we, in today's Bangladesh, have subjected Quamrul Hassan to imprisonment for employing his art to critique the current political culture?

Although we have the Graffiti Writing and Poster Sticking Control Act, 2012 to prevent visual pollution, nothing much has been done to implement it. Why, though?

Street art's journey is a global phenomenon that has transformed from its roots as an act of vandalism into a respected and influential art movement. In Bangladesh, this evolution has taken various forms, reflecting the changing socio-political landscape and the artistic expressions of its people.