The innovative activity, fostered and curated by former Cultural Affairs Minister and eminent cultural personality, Asaduzzaman Noor has commenced recently with hundreds of child artists painting the roadside walls of Dhaka city.

Mehta also directed the documentary film Dateline Bangladesh based on her time stationed in Bangladesh during the war.

Krishnendu Bose’s directorial “Bay of Blood” is a searing feature documentary, a gripping narrative that takes you on a journey through the heart-wrenching history of Bangladesh’s birth, unearthing the chilling truths of a genocide that echoed across the ages.

The Vortex is a collage of selfless acts to help victims of the Bhola cyclone and the Liberation War of Bangladesh in 1971.

Participants, including the show’s hosts and guests, picked up discarded pebbles, photo frames, children’s artwork, and other knick knacks—all fragile things collected and displayed by the author. 

To understand the attitude of the adversaries of the Liberation War, I went to collect the data for this book and found that Pakistanis are defending themselves.

It was around 11:00am on May 20, 1971.

Jamal Hasan and his three teammates decided to go on a goodwill mission for the fledgling state to thank the people of the world for supporting their Liberation War.

Ekattorer Dinguli forces one to acknowledge the dire reality of ethnic and religious violence, and the harsh legacy of colonial oppression and divide that has ruptured the fabric of the South Asian subcontinent since 1947.

Operation Jackpot was the first—and allegedly best—campaign of naval commandos during the Liberation War of 1971, a deadly blow against the Pakistani invasion forces carried out on August 16, 1971.

Having been involved in the creative field for almost 15 years, Faiza Ahmed decided to explore the Fashion sector in the late 2012. Throughout her journey, she realised that fashion for many youngsters still means getting inspiration from the west. An avid fan of classical and folk music, she wanted to make a change and create designs that resemble the true beauty of art and heritage. Thus, she started experimenting with designs inspired by the popular trends, with a deshi touch.

I am here not to refute any of these stances but to ask readers to think deeply about why people got so uncomfortable seeing such a photo/heading like this. 

Notun Bazar was burning, burning! /Shops, stores, woodpiles/ Piled up iron, timber, mosques and temples/ Notun Bazar was burning, burning!

Anti war crimes campaigners and rights activists have criticised the latest US human rights report on Bangladesh that advocated for the "freedom of assembly" of Jamaat-e-Islami – which strongly opposed the independence of Bangladesh and with the Pakistan army committed crimes against humanity during the Liberation War.

The Japanese film director, Nagisa Oshima is a glaring exception. Primarily known for his New Wave style of filmmaking, in many cases, Nagisa Oshima has brought up rebellious and underprivileged youths in his films. Compared to the usual subject matters of his films, it is interesting to see that his two documentaries focusing on Bangladesh, Joi Bangla (1972) and Rahman: Father of Bengal (1973), are different. He finds the intense glory of Bangladesh's achievements in the context of 1972-73 even when the country was in a war-torn condition following the war in his film Rahman: Father of Bengal.

How can you talk about peace without taking into account war? Both are subjects not only of Tolstoy’s great novel but also of the two founding epic poems of Greek as well as Indian literature.

Gyantapas Abdur Razzaq Foundation revisits the spirit of liberation in March.

Azam Khan holds a significant place in Bangladeshi music history. He was one of the first local musicians to introduce western instruments and infuse them with compositions based on the Bangladeshi society of his time.

Prior to the release of his film, Khijir Hayat Khan posted a video on his YouTube channel addressing Prime Minister Sheikh Hasina, about how the release of Hindi cinema in our country could damage the business of Bangladeshi cinema in the theatres.

The landmark event not only united the nation to speak up against oppression but paved a new direction for what ultimately led to our independence.