A new adaptation of Jane Austen’s “Pride and Prejudice” is currently in the works at Netflix. Moreover, Dolly Alderton, the author of “Everything I Know About Love,” is writing the script.

Picture yourself curled up with a steaming cup of tea on a lazy weekend afternoon, whilst golden rays of sunshine furtively find their way to illuminate the tattered pages of your beloved, time-worn novel. Now, replace that serene imagery with a bustling living room, where that very novel is now flickering to life on a vibrant screen, promising to display the intricacies that were previously etched in ink. A beautiful transition, if done right. Then again, when it goes wrong, it feels like watching a dear friend fumble on stage and you are mostly left with a profound longing for what could have been.

When it comes to casting, direction, design, and other varying aspects of production, the author being at the heart of it all can be a huge asset, assisting in the transformation of their ideas and offering tidbits of inspiration or knowledge that may otherwise be missing.