A charcoal black druid’s bowl with a rough and aged look, caught my attention while surfing social media. Initially, I thought it must be an antique piece of medieval pottery up for sale on some transcontinental site, but instead, I found it to be a local product from the brand Boho Bangladesh, promoting a sustainable natural lifestyle; it blew my mind.

Clay and wood jewellery are such jewels, which are imbued with the rich history and cultural heritage of our country. The beauty of these jewellery pieces lies in their simplicity, earthiness, and the traditional craftsmanship that goes into creating each piece. Belal Hossain, an artisan of exceptional skill and passion, has been making clay and wood jewellery since 1984.

Every country has its own heritage crafts. While we may have many, from weaving authentic Jamdani to knitting bamboo baskets, very few people know about their history and traditions. Today, in this article we will be talking about one of our most talked about heritages: the art of pottery making and the village that stays awake in keeping our pottery heritages alive. The Bengali term for Pottery making is ‘mritshilpo’, which mostly specifies the maneuver of the craft: the soil of Bangladesh.

Pundranagar, the capital of ancient Bengal or present-day Bogra in Bangladesh, is famous for its pottery. Traditional pottery got its fame in the Pal era long back, but now some of the potters community still can be seen here and there in the country including Palpara or Kumaras villages in Bogra.

Archaeologists have uncovered "totally unexpected" remains from an Iron Age village on land where a housing estate is being built.